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The record opens with вЂњTuscan LeatherвЂќ, which tucks in a reference to a вЂњshorty up on Glengrove who love when I catch my tempoвЂќ-a tiny detail (and a relatively tiny Toronto avenue) that adds another piece to his world of sound. His incredible success inspired some real reflection, and you can hear him looking back at the path it took to get there the writing is more autobiographical than aspirational. He didnвЂ™t yet have the power or profile to turn Toronto into his full-time base of operations, and he was still in his early 20s, drunk on experience, soaking up the rest of the world.ДrakeвЂ™s shift towards more overt self-mythologizing began in earnest with Nothing Was the Same, which found the rapper reckoning with the ramifications of being on top. He was willing to proclaim himself the cityвЂ™s savior and leading light, but those proclamations were risky had his early releases failed to impact the industry in any considerable way, lines like, вЂњShout out to my city, though I hardly be in town/ IвЂ™m the black sheep, but Chris Farley wears the crownвЂќ would have seemed laughable-or, perhaps more accurately, even more laughable.

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On the woozy вЂњKaraokeвЂќ, he tells a possible girlfriend back home, вЂњThings have been so crazy and hectic/ I shouldвЂ™ve gotten back by now/ But you know how much I wanted to make it.вЂќ At the time, Drake was fighting for credibility and clout, spending time away from Toronto and working to achieve some semblance of legitimacy as a nakedly emotional and insecure lover in a genre full of street-wise fighters.

On mixtapes like 2009вЂ™s So Far Gone and his debut album, Thank Me Later, his interactions with Toronto were vague and distant any references to the city were typically oblique, and couched in either regret or nostalgia. But DrakeвЂ™s music puts forth a version of Toronto that transcends these headaches-a version of the city at its best.ДrakeвЂ™s lyrical relationship with his city has shifted and grown over the years. ThatвЂ™s an important distinction, because the real Toronto has problems just like any other city: rising inequality, a budget thatвЂ™s tougher to wrangle every year, infrastructure deficits and transit planning woes, and an identity crisis thatвЂ™s bubbled beneath its surface for almost two decades. Like many hip-hop locales, itвЂ™s a city closer to the realm of theory-and fantasy-than reality.

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His mythological Toronto is a metropolis where everyone knows your name and exes are always lurking around the corner, a forest of penthouses with a panoramic view, a park-studded playground where the skies are free of ambient light and the highways are always clear. Rappers and producers from the 6 are getting more attention, and a new generation of artists now have a career to emulate and a legend to chase. No MC has ever attempted to play tourism director on such a grand scale for Toronto, a city more renowned for its hockey players and indie rock collectives, but DrakeвЂ™s mission is proving to be a success. DreвЂ™s dispatches from the streets of Compton, to OutKastвЂ™s sketches of a colorful, creatively vibrant Atlanta. His intense civic boosterism isnвЂ™t particularly novel in itself: Rappers have been writing love letters to their cities and building rose-colored landscapes in their music for decades, from Dr.